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<title>Perception</title>
<link>http://www.perceptionweb.com</link>
<description>Perception volume 39 issue 8</description>
<prism:eIssn>1468-4233</prism:eIssn>
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<prism:publicationName>Perception</prism:publicationName>
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  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6067" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6561" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6725" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6658" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6670" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6665" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p5991" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6608" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p5990" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6674" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6730" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6442" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6659" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p6703" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=ava10am" />
  <rdf:li rdf:resource="http://www.perceptionweb.com/abstract.cgi?id=p3908err" />
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</channel><item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p3810bib">
<title><![CDATA[Bibliography: Ruxandra Sireteanu (1945&nbsp;&#8211;&nbsp;2008)<?tf=&#8220;t001&#8221;></font>. ]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p3810bib</link>
<description><![CDATA[<br>There is no abstract for this paper.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p3810bib</dc:identifier>
<dc:title><![CDATA[Bibliography: Ruxandra Sireteanu (1945&nbsp;&#8211;&nbsp;2008)<?tf=&#8220;t001&#8221;></font>]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>0</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>0</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>0</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6476">
<title><![CDATA[The L/M-opponent channel provides a distinct and time-dependent contribution towards visual recognition. Christopher J Vincent, Fernand Gobet, Amanda Parker, Andrew M Derrington]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6476</link>
<description><![CDATA[The visual pathway has been successfully modelled as containing separate channels consisting of one achromatically opponent mechanism and two chromatically opponent mechanisms. However, little is known about how time affects the processing of chromatic information. Here, parametrically defined objects were generated. Reduced-colour objects were interleaved with full-colour objects and measures of recognition performance (<i>d'</i>) were compared by the continuous serial recognition paradigm. Measures were taken at multiple delay intervals (1, 4, 7, and 10&nbsp;s). When chromatic variations were removed, recognition performance was impaired, but at the 1&nbsp;s and 10&nbsp;s intervals only. When luminance variations were removed, no impairment resulted. When only L/M-opponent modulations were removed, a deficit in performance was produced only at the 1&nbsp;s and 10&nbsp;s intervals, similar to the removal of chromatic variation. When only S-opponent modulations were removed, no impairment was observed. The results suggest that the L/M-opponent pathway provides a specialised contribution to visual recognition, but that its effect is modulated by time. A three-stage process model is proposed to explain the data.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6476</dc:identifier>
<dc:title><![CDATA[The L/M-opponent channel provides a distinct and time-dependent contribution towards visual recognition]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>0</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>0</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>0</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6067">
<title><![CDATA[Visual strategies used for time-to-arrival judgments in driving. Editha M van Loon, Fadhel Khashawi, Geoffrey Underwood]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6067</link>
<description><![CDATA[To investigate the sources of visual information that are involved in the anticipation of collisions we recorded eye movements while participants made relative timing judgments about approaching vehicles at a junction. The avoidance of collisions is a critical aspect in driving, particularly where cars enter a line of traffic from a side road, and the present study required judgments about animations in a virtual driving environment. In two experiments we investigated the effects of (i)&nbsp;the angle of approach of the vehicle and the type of path (straight or curved) of the observer, and (ii)&nbsp;the speed of both the observer and the approaching car. Relative timing judgments depend on the angle of approach of the other vehicle (judgments are more accurate for perpendicular than for obtuse angles). Eye-movement analysis shows that visual strategies in relative timing judgments are characterised by saccadic eye movements back and forth between the approaching car and the road ahead, particularly the side line which may serve as a spatial reference point. Results suggest that observers use the distance of the car from this reference point for their timing judgments.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6067</dc:identifier>
<dc:title><![CDATA[Visual strategies used for time-to-arrival judgments in driving]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>0</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>0</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>0</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6561">
<title><![CDATA[The property transmission hypothesis: A possible explanation for visual impressions of pulling and other kinds of phenomenal causality. Peter A White]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6561</link>
<description><![CDATA[Under certain circumstances, stimuli involving two moving objects that do not come into contact reliably give rise to the illusory perceptual impression that one of the objects is pulling the other, as if there is an unseen connection between them. It is proposed that the conditions determining the occurrence of this impression can be explained as cases of application of the property-transmission hypothesis. This is a general hypothesis that causal objects operate in part by transmitting some of their own properties to effect objects under conditions where the causal object is active, where there are cues to the occurrence of generative transmission between the causal object and an effect object, and where there is a time-ordered relation of resemblance between properties of the causal object and those of the effect object. This hypothesis predicts that the pulling impression should occur only when the effect object adopts kinematic properties (speed and direction) that resemble those of the causal object. An experiment is reported that supports this prediction.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6561</dc:identifier>
<dc:title><![CDATA[The property transmission hypothesis: A possible explanation for visual impressions of pulling and other kinds of phenomenal causality]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>0</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>0</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>0</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6725">
<title><![CDATA[Footprints sticking out of the sand. Part 1: Children&#8217;s perception of naturalistic and embossed symbol stimuli. James V Stone, Olivier Pascalis]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6725</link>
<description><![CDATA[The shading information in images that depict surfaces of three-dimensional objects cannot be perceived correctly unless the direction of the illuminating light source is known, and, in the absence of this knowledge, adults interpret such images by assuming that light comes from above. In order to investigate if children make use of a similar assumption, we analysed data from 171 children between the ages of 4.6 and 10.8 years using 10 images (shown upright and upside-down) that could be perceived as either convex or concave. Each of five images depicted a naturalistic picture (eg a footprint), each of the other five depicted an embossed symbol (eg a square). On each of 20 trials, a child was presented with either an upright or upside-down image, and indicated whether the depicted shape appeared convex or concave. Our main findings are that (i)&nbsp;naturalistic stimuli are significantly more likely to be perceived as if light comes from above than symbol stimuli, and (ii)&nbsp;children&#8217;s propensity to interpret stimuli as if light comes from above increases significantly with age, and at a similar rate for naturalistic and symbol stimuli. These results suggest that, irrespective of any innate competence, children&#8217;s ability to interpret shading information is gradually refined throughout childhood.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6725</dc:identifier>
<dc:title><![CDATA[Footprints sticking out of the sand. Part 1: Children&#8217;s perception of naturalistic and embossed symbol stimuli]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>0</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>0</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>0</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6658">
<title><![CDATA[Rapid object category adaptation during unlabelled classification. David Hadas, Nathan Intrator, Galit Yovel]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6658</link>
<description><![CDATA[Recent reports from electrophysiological and psychophysical experiments provide evidence that repeated exposure to an ordered sequence of morphed stimuli may over time adapt a prelearned object category such that the category may generalise the entire sequence as belonging to the same object. Here, a new protocol that includes a single exposure to a morphing sequence is presented. Subjects exposed to the new protocol replaced a prelearned face with an entirely different face within just 3 days, significantly faster than in previous reports.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6658</dc:identifier>
<dc:title><![CDATA[Rapid object category adaptation during unlabelled classification]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>0</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>0</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>0</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6670">
<title><![CDATA[Accumulating and remembering the details of neutral and emotional natural scenes. David Melcher]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6670</link>
<description><![CDATA[In contrast to our rich sensory experience with complex scenes in everyday life, the capacity of visual working memory is thought to be quite limited. Here our memory has been examined for the details of naturalistic scenes as a function of display duration, emotional valence of the scene, and delay before test. Individual differences in working memory and long-term memory for pictorial scenes were examined in experiment&nbsp;1. The accumulation of memory for emotional scenes and the retention of these details in long-term memory were investigated in experiment&nbsp;2. Although there were large individual differences in performance, memory for scene details generally exceeded the traditional working memory limit within a few seconds. Information about positive scenes was learned most quickly, while negative scenes showed the worst memory for details. The overall pattern of results was consistent with the idea that both short-term and long-term representations are mixed together in a medium-term &#8216;online&#8217; memory for scenes.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6670</dc:identifier>
<dc:title><![CDATA[Accumulating and remembering the details of neutral and emotional natural scenes]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1025</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1011</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6665">
<title><![CDATA[The perceptual salience of symmetrical and asymmetrical sections of a line. Natale Stucchi, Valentina Graci, Carlo Toneatto, Lisa Scocchia]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6665</link>
<description><![CDATA[A vertical line segment intersecting a horizontal one at different crossing points generates line sections. Visual perception of such line sections was investigated here in two experiments. In both experiments participants were most accurate and precise when they had to reproduce symmetrical sections. Interestingly, the different asymmetrical sections of a line were not equivalent in terms of participants&#8217; performance: constant errors changed as a function of sections and the error curve was nicely interpolated by the composition of two harmonics of the line length. In consistence with the harmonic fitting of the data, we propose that the perceptual salience of specific asymmetrical sections is a byproduct of the automatic triggering of a line midpoint identification process. Being perceptually tuned to symmetry warps our visual representation of the line, which results in systematic misperceptions. The way of bringing present and past experimental findings into a unitary whole is proposed.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6665</dc:identifier>
<dc:title><![CDATA[The perceptual salience of symmetrical and asymmetrical sections of a line]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1042</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1026</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p5991">
<title><![CDATA[Spatial vision meets spatial cognition:&nbsp;Examining the effect of visual blur on human visually guided route learning. Megan E Therrien, Charles A Collin]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p5991</link>
<description><![CDATA[Visual navigation is a task that involves processing two-dimensional light patterns on the retinas to obtain knowledge of how to move through a three-dimensional environment. Therefore, modifying the basic characteristics of the two-dimensional information provided to navigators should have important and informative effects on how they navigate. Despite this, few basic research studies have examined the effects of systematically modifying the available levels of spatial visual detail on navigation performance. In this study, we tested the effects of a range of visual blur levels&#8212;approximately equivalent to various degrees of low-pass spatial frequency filtering&#8212;on participants&#8217; visually guided route-learning performance using desktop virtual renderings of the Hebb&nbsp;&#8211;&nbsp;Williams mazes. Our findings show that the function of blur and time to finish the mazes follows a sigmoidal pattern, with the inflection point around +2&nbsp;D of experienced defocus. This suggests that visually guided route learning is fairly robust to blur, with the threshold level being just above the limit for legal blindness. These findings have implications for models of route learning, as well as for practical situations in which humans must navigate under conditions of blur.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p5991</dc:identifier>
<dc:title><![CDATA[Spatial vision meets spatial cognition:&nbsp;Examining the effect of visual blur on human visually guided route learning]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1064</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1043</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6608">
<title><![CDATA[Processes underlying the cross-race effect: An investigation of holistic, featural, and relational processing of own-race versus other-race faces. Catherine J Mondloch, Natalie Elms, Daphne Maurer, Gillian Rhodes, William G Hayward, James W Tanaka, Guomei Zhou]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6608</link>
<description><![CDATA[Adults are often better at recognising own-race than other-race faces. Unlike previous studies that reported an own-race advantage after administering a single test of either holistic processing or of featural and relational processing, we used a cross-over design and multiple tasks to assess differential processing of faces from a familiar race versus a less familiar race. Caucasian and Chinese adults performed four tasks, each with Caucasian and Chinese faces. Two tasks measured holistic processing: the composite face task and the part/whole task. Both tasks indicated holistic processing of own-race and other-race faces that did not differ in degree. Two tasks measured featural and relational processing: the Jane/Ling task, in which same/different judgments were made about face pairs that differed in features of their spacing, and the scrambled/blurred task, in which test faces were scrambled (isolates memory for components) or blurred (isolates memory for relations). Both tasks provided evidence of an own-race advantage in both featural and relational processing. We conclude that even when adults process other-race faces holistically, other manifestations of an own-race advantage remain.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6608</dc:identifier>
<dc:title><![CDATA[Processes underlying the cross-race effect: An investigation of holistic, featural, and relational processing of own-race versus other-race faces]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1085</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1065</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p5990">
<title><![CDATA[Perspective-based illusory movement in a flat billboard&#8212;an explanation. Thomas V Papathomas, Zoe Kourtzi, Andrew E Welchman]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p5990</link>
<description><![CDATA[We describe a compelling motion illusion elicited by a huge billboard placed along a street, depicting a building that contains strong perspective cues. When observers move fast along the opposite sidewalk, they perceive the depicted building as rotating in their direction of travel. This is a special case of the &#8216;following&#8217;, or &#8216;pointing out of the picture&#8217;, illusion that elicits a strong illusory motion percept. Here we discuss the cause of the illusory motion and suggest that the brain relies on the depicted perspective cues to infer a 3-D shape and a concomitant motion that is incompatible with the physical pictorial surface.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p5990</dc:identifier>
<dc:title><![CDATA[Perspective-based illusory movement in a flat billboard&#8212;an explanation]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1093</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1086</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6674">
<title><![CDATA[Local and global processing in savant artists with autism. Linda Pring, Nicola Ryder, Laura Crane, Beate Hermelin]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6674</link>
<description><![CDATA[We explored the hypothesis that an enhanced local processing style is characteristic of both art and autism spectrum disorder (ASD) by examining local and global processing in savant artists with ASD. Specifically, savant artists were compared against non-talented individuals with ASD or mild/moderate learning difficulties (MLD), as well as artistically talented or non-talented students, on the block-design task and meaningful and abstract versions of the embedded figures test (EFT). Results demonstrated that there were no significant differences between the meaningful and abstract versions of the EFT, in any of the groups. This suggests that the primary process governing performance on this task was perceptual (local), rather than conceptual (global). More interestingly, the savant artists performed above the level of the ASD and MLD groups on the block-design test, but not the EFT. Despite both the block-design task and the EFT measuring local processing abilities, we suggest that this result is due to the block-design task being an <i>active construction </i>task (requiring the conversion of a visual input into a motor output), whereas the EFT is a <i>passive recognition </i>task. Therefore, although an enhanced local processing style is an important aspect of savant artistic talent, motor control also appears to be a necessary skill.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6674</dc:identifier>
<dc:title><![CDATA[Local and global processing in savant artists with autism]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1103</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1094</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6730">
<title><![CDATA[Lip colour affects perceived sex typicality and attractiveness of human faces. Ian D Stephen, Angela M McKeegan]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6730</link>
<description><![CDATA[The luminance contrast between facial features and facial skin is greater in women than in men, and women&#8217;s use of make-up enhances this contrast. In black-and-white photographs, increased luminance contrast enhances femininity and attractiveness in women&#8217;s faces, but reduces masculinity and attractiveness in men&#8217;s faces. In Caucasians, much of the contrast between the lips and facial skin is in redness. Red lips have been considered attractive in women in geographically and temporally diverse cultures, possibly because they mimic vasodilation associated with sexual arousal. Here, we investigate the effects of lip luminance and colour contrast on the attractiveness and sex typicality (masculinity/femininity) of human faces. In a Caucasian sample, we allowed participants to manipulate the colour of the lips in colour-calibrated face photographs along CIELab <i>L</i>* (light&nbsp;&#8211;&nbsp;dark), <i>a</i>* (red&nbsp;&#8211;&nbsp;green), and <i>b</i>* (yellow&nbsp;&#8211;&nbsp;blue) axes to enhance apparent attractiveness and sex typicality. Participants increased redness contrast to enhance femininity and attractiveness of female faces, but reduced redness contrast to enhance masculinity of men&#8217;s faces. Lip blueness was reduced more in female than male faces. Increased lightness contrast enhanced the attractiveness of both sexes, and had little effect on perceptions of sex typicality. The association between lip colour contrast and attractiveness in women&#8217;s faces may be attributable to its association with oxygenated blood perfusion indicating oestrogen levels, sexual arousal, and cardiac and respiratory health.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6730</dc:identifier>
<dc:title><![CDATA[Lip colour affects perceived sex typicality and attractiveness of human faces]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1110</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1104</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6442">
<title><![CDATA[Availability of advance visual information constrains association-football goalkeeping performance during penalty kicks. Matt Dicks, Chris Button, Keith Davids]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6442</link>
<description><![CDATA[A pressing concern within the literature on anticipatory perceptual-motor behaviour is the lack of clarity on the applicability of data, observed under video-simulation task constraints, to actual performance in which actions are coupled to perception, as captured during in-situ experimental conditions. We developed an in-situ experimental paradigm which manipulated the duration of anticipatory visual information from a penalty taker&#8217;s actions to examine experienced goalkeepers&#8217; vulnerability to deception for the penalty kick in association football. Irrespective of the penalty taker&#8217;s kick strategy, goalkeepers initiated movement responses earlier across consecutively earlier presentation points. Overall goalkeeping performance was better in non-deception trials than in deception conditions. In deception trials, the kinematic information presented up until the penalty taker initiated his/her kicking action had a negative effect on goalkeepers&#8217; performance. It is concluded that goalkeepers are likely to benefit from not anticipating a penalty taker&#8217;s performance outcome based on information from the run-up, in preference to later information that emerges just before the initiation of the penalty taker&#8217;s kicking action.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6442</dc:identifier>
<dc:title><![CDATA[Availability of advance visual information constrains association-football goalkeeping performance during penalty kicks]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1124</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1111</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6659">
<title><![CDATA[Does Thompson&#8217;s Thatcher Effect reflect a face-specific mechanism?. Yetta K Wong, Elyssa Twedt, David Sheinberg, Isabel Gauthier]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6659</link>
<description><![CDATA[The Thatcher Illusion or Thatcher Effect (TE&#8212;Thompson 1980, <i>Perception </i><b>9 </b>483&nbsp;&#8211;&nbsp;484) reflects the difficulty in perceiving the local inversion of parts when the whole object, generally a face, is globally inverted. We tested the generality of the TE with a range of faces and non-face objects, and observed the TE with many non-face categories including cars, buildings, bikes, and letter strings. In terms of magnitude, the face TE is not exceptionally large compared to other object categories, and the magnitude of the TE can be predicted by performance on this task for upright stimuli, regardless of whether the object is a face or not. We did not observe evidence for a unique mechanism contributing to the TE for faces. We discuss factors that influence the magnitude of the TE, some common across domains and others more specific to a particular category.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6659</dc:identifier>
<dc:title><![CDATA[Does Thompson&#8217;s Thatcher Effect reflect a face-specific mechanism?]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1141</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1125</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p6703">
<title><![CDATA[No role for lightness in the perception of black and white? Simultaneous contrast affects perceived skin tone, but not perceived race. Kevin R Brooks, O Scott Gwinn]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p6703</link>
<description><![CDATA[Faces of individuals with African and European heritage (henceforth referred to as Black and White respectively) feature two major differences: those of skin tone and morphological characteristics. Although considerations of perceived race are important to various
psychological subdisciplines, to date the relative influence of morphological versus photometric
characteristics has not been investigated. We attempted to influence the perceived racial typicality
of a central target face by manipulating perceived skin tone using the well-known lightness
contrast illusion. As expected, ratings of skin tone were influenced by surround faces, yet ratings
of perceived racial typicality were not, suggesting a dissociation between the two judgments.
Surprisingly, skin tone contributes little to perceived race, leaving facial morphology as the dominant cue. These results may shed light on failures to find effects of racial typicality in studies of
prejudice where judgments were based on photographs with altered skin tone alone.

]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p6703</dc:identifier>
<dc:title><![CDATA[No role for lightness in the perception of black and white? Simultaneous contrast affects perceived skin tone, but not perceived race]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1146</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1142</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=ava10am">
<title><![CDATA[Applied Vision Association Easter Meeting, Liverpool Hope University, Liverpool, UK, 29 March 2010, Abstracts. ]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=ava10am</link>
<description><![CDATA[There is no abstract for this paper.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/ava10am</dc:identifier>
<dc:title><![CDATA[Applied Vision Association Easter Meeting, Liverpool Hope University, Liverpool, UK, 29 March 2010, Abstracts]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1155</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1147</prism:startingPage>
</item>
<item rdf:about="http://www.perceptionweb.com/abstract.cgi?id=p3908err">
<title><![CDATA[Errata. ]]></title>
<link>http://www.perceptionweb.com/abstract.cgi?id=p3908err</link>
<description><![CDATA[<br>There is no abstract for this paper.
]]></description>
<dc:creator>Pion</dc:creator>

<dc:identifier>info:doi/10.1069/p3908err</dc:identifier>
<dc:title><![CDATA[Errata]]></dc:title>
<dc:publisher>Pion Ltd</dc:publisher>
<prism:number>8</prism:number>
<prism:volume>39</prism:volume>
<prism:endingPage>1156</prism:endingPage>
<prism:publicationDate></prism:publicationDate>
<prism:startingPage>1156</prism:startingPage>
</item>
</rdf:RDF>